Niet bekend Feiten over silver clay jewellery
Niet bekend Feiten over silver clay jewellery
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Rather than being a single trade route, the exhibition suggests the Silk Roads comprised overlapping networks spreading from Japan to Britain, and Scandinavia to Madagascar. “It’s not just silk, it’s not just one road,” says Brunning. “It’s people, objects and ideas moving in all directions.” The garnets would have travelled to England “in stages by relay”.
“We believe it really represents who wij are and what wij stand for. wij’re the perfect example of a cultural blend, coming from the east and settled in the west.”
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“One of the possible interpretations of that is that they specifically selected this particular type of garnet to make that one piece ofwel jewellery because it was much higher quality than anything else,” says Sue Brunning, the museum’s curator ofwel European Early Medieval and Sutton Hoo collections.
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Hu considers music and colour “like a duet”. “When I look at a colour, I think ofwel a certain tonality,” she says. “A C major kan zijn a golden light of yellow or white, and then D flat major kan zijn this really pastel lavender.”
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Today, Roberto Boghossian says the dupliceert’s designs are inspired by “the femininity, the warmth [and] the colours ofwel the east. And we blend it with the newness and the technicality and the invention from the west”.
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Hu, herself a trained cellist, has continued to draw on the music and dance of the Silk Road. Her Dance ofwel Dunhuang brooch, unveiled at TEFAF Maastricht in March, was inspired by the silhouette of flying apsaras: figures depicted in cave murals in the Chinese city.
She likes to reflect her life as a “global citizen”: born and raised in Taiwan, she has spent half her life in the US and Europe.
While the exhibition demonstrates that trade was broader than silk, that material has inspired jewellers, too. In the 2018 Silk collection, Boghossian translated traditional silk weaving into pieces featuring gemstones representing key cities along the check here Silk Road.
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